"Costa Magic" by Mina Loy has to be the strangest and most interesting
poem from what I read in this packet so far. It's abstract and maintains a haunting tone at the same time. I believe the haunting tone is maintain throughout
the prose because of words such as "Mumbling at the window/
Malediction/ Incantation". These words being used places the audience in a supernatural mood but occurs in an ordinary place and time. It’s easy not to get wrapped up in the mystery
as our speaker, a woman eavesdropping on her husband, gains a limited amount of
information. Consequentially, we as the reader gain limited pieces of
information. We at the same time experience the unsettling idea of not
knowing what exactly is happening.
Despite myself gaining a limited understanding of the emotional toil
of our speaker, the poem remains abstract. The poem reliance on sound, motion
and time throughout makes the poem futuristic. In the second
stanza, we encounter the word “SPLOSH” in capitalize letters that completely interrupts
the initial mood and rhythm of the poem. Next, Loy creates this idea of time pasting by
spacing out the word “daily”. Now it is indicated to the reader that our speaker’s experience is not made into one
single incident but ongoing. The poem becomes futuristic by constantly placing the supernatural, which invokes the
idea of the past, with technology. A poem that uses words like “bewitch” and “cab” is odd. In fact the last couple of stanza are about Cesira, our speaker’s daughter, turning into a beast but this emergence to prevent this magical transformation occurring in a car. The supernatural is made meddlesome and bad.
However, the technological advantages are helpful to our speaker. These features of these opposite entities highlights one of the futurist ideas, that we as a civilization must move forward.
Loy is overall abstract
but it emphasizes motion, technology and pasting of time.
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