Robert
Scholes and Clifford Wulfman wrote an interesting perspective on how to “tackle”
a modernist magazine. These periodicals were written over a hundred years ago
during a time of political unrest, national ideologies and movements and
certain individuals did not mind publishing how they felt about it. “Blast” was
a set of manifestos which supported art and literature. It would blast everything
from the Victorian age to France, including other targets; and in the same
breath, turn round and “bless” many of the same targets. One point that I
thought was important that the authors brought out was knowing the history behind
the magazine, well as much history as you can possibly ascertain. Sometimes this
information can be hard to find when the data is over a century old, but
whatever can be gathered will aid in the understanding of the publication.
Blast was published only twice: July
1914 and July 1915. Britain declared war on Germany in August, 1914, so the
publication, along with it being a very outspoken magazine, did not have a long
shelf life. One of its main contributors Henri-Gaudier-Brzeska, who was also
one of the original Vorticists was killed at the war trenches. Wyndham Lewis
was its main editor along with a group of young writers and artist who shared
his mentality and sentiments: Richard Aldington, Malcolm Arbuthnot, Lawrence Atkinson, Jessica
Dismorr, Cuthbert
Hamilton, Ezra Pound,
William
Roberts, Helen Saunders and Edward
Wadsworth; although few of them took on a serious role. Ezra Pound
is not included in the ones who took on a less serious role. He was very much
involved. It was visually unconventional in its appearance as opposed to other
conservative modernist journals of the time such as: “The Egoist, English
Review, New Age and Harold Monro’s Poetry Reiew”. Blast was meant to be a “bold
intervention in a rapidly changing art world”. There was high hopes for its
circulation and influence, but then a Great War broke out and changed the
course for the magazine.
Sources:
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